岩絵具を何十層も重ねて描いた日本画の作品を、高精度のUVスキャナと上質な紙を使ってポストカードに仕上げました。
Original painting was done with dozens of layers of mineral pigments in Nihonga technique. It has been turned into a postcard using a high-precision UV scanner and high-quality 180kg paper.
Prayer-vision from each year:
2019 Cactus Flower (A sign of hope that new life is possible and suffering isn’t the end of our stories)
2021 Onsen (Soaking in the hot spring to heal the wounded soul, searching for true rest while embracing both grief and grace)
2022 Sakura (Seeing that spring comes after a long winter, being enveloped in awe of life that grows majestically yet humbly)
2023 Shield-Psalm 3/Foliage (Holding onto Psalm 3:3 in suffering, being safe under the shield of God who is mighty and full of light)
2024 To Sea/See (Empty-nesting, being apart but together in the Sea, surrendering to God who is able to do immeasurably more abundantly than all we ask or imagine)
岩絵具を何十層も重ねて描いた日本画の作品を、高精度のUVスキャナと上質な紙を使ってポストカードに仕上げました。
Original painting was done with dozens of layers of mineral pigments in Nihonga technique. It has been turned into a postcard using a high-precision UV scanner and high-quality 180kg paper.
Prayer-vision from each year:
2019 Cactus Flower (A sign of hope that new life is possible and suffering isn’t the end of our stories)
2021 Onsen (Soaking in the hot spring to heal the wounded soul, searching for true rest while embracing both grief and grace)
2022 Sakura (Seeing that spring comes after a long winter, being enveloped in awe of life that grows majestically yet humbly)
2023 Shield-Psalm 3/Foliage (Holding onto Psalm 3:3 in suffering, being safe under the shield of God who is mighty and full of light)
2024 To Sea/See (Empty-nesting, being apart but together in the Sea, surrendering to God who is able to do immeasurably more abundantly than all we ask or imagine)
